Chiung-Ying Huang (2024, Nov). Passions and Pain: Lucy’s Punitive Death in Dracula. International
Journal of Language and Literary Studies, 6(4), 38-45. 本人為第一作者、通訊作者. DOI: http://doi.org/10.36892/ijlls.v6i4.1839.
Chiung-Ying Huang (2024, Oct). The Femme Fatale in Text and Image: Analyzing Gender, Power, and
Representation in Rudyard Kipling’s “The Vampire” and Philip Burne-Jones’s Painting. International
Journal of Linguistics and Translation Studies, 5(4), 32-38. 本人為第 一作者、通訊作者. DOI:
https://doi.org/10.36892/ijlts.v5i4.519.
Chiung-Ying Huang (2024, Jul). Foucauldian Concept of Discipline and Punishment in Oscar Wilde’s
Salomè. 景文學報, 33(2), 23-33. 本人為第一作者、通訊作者
Chiung-Ying Huang (2024, Jul). Modernity, Technology, and Copying. International Journal of
Linguistics and Translation Studies, 5(3): 185-190. 本人為第一作者、通訊作者. DOI:
https://doi.org/10.36892/ijlts.v5i3.504.
Chiung-Ying Huang (2024, Jun). Whitman’s Power of Visual Representation in Leaves of Grass: A
Proto-Cinematic Gaze and the Influence of Modern Technology. International Journal of Language and
Literary Studies, 6(2): 316-329. 本人為第一作者、通訊作者.
Chiung-Ying Huang (2024, Mar). The Flâneur in Baudelaire and Whitman. International Journal of
Language
and Literary Studies, 6(1): 143-160. 本人為第一作者、通訊作者.
黃瓊瑩 (2021, Sep). 情深意重:論濟慈與佩特美學的比較文學研究 (Aestheticism as a Discourse of Passion and Sensation: A
Comparative Study of John Keats and Walter Pater). 興大人文學報, 67(1): 115-146. MOST 110-2410-H-155-038.
本人為第一作者、通訊作者.
黃瓊瑩 (2020, Mar). 但丁‧加百列‧羅塞蒂的美學詩歌與繪畫 (“Reading Dante Gabriel Rossetti’s Aesthetic Poetry and Painting").
興大人文學報, 64(1), 89-116. 本人為第一作者、通訊作者.
黃瓊瑩 (2018, Mar). 談情說畫: 論史雲朋「鏡前」詩中的聯覺美學 (“Poetry, Painting, and Emotions: Synaesthetics in Swinburne’s
‘Before the Mirror") . 師大學報. 人文與社會科學類[革新版], 61(1), 41-57. 本人為第一作者、通訊作者.
Huang, Chiung-Ying (2011, Aug). A Tale of Two Lamias: The Representation of Lamia’s Passions and
Transformation in John Keats and J. W. Waterhouse. The Luminary (University of Lancaster, UK), No. 2,
Aug. 2011, pp. 14-19. 本人為第一作者、通訊作者.
百科解釋 Encyclopedic Explanation
Huang, Chiung-Ying. Nathaniel Hawthorne. The Encyclopedia of the Gothic (ISSN: 978-1405182904).
London: Blackwell. Jan, 2013: 316-317.
研討會論文 Conference Talks / Papers
Chiung-Ying Huang (2024, Nov). Michael Field’s Reconfiguration of Sappho. 2024 “Inheritance and
Innovation: Explorations in Language, Literature, Culture, and Translation” Conference, 國立屏東科技大學應用外語系.
本人為第一作者、通訊作者。
Chiung-Ying Huang (2024, Jul). Integrating Glocal Insights in English Teaching: A Case Study of an
“English for Fashion” Class. 2024 7th NIT-NUU Bilateral Academic Conference (2024年第七屆台日雙邊研討會).
本人為第一作者、通訊作者。
黃瓊瑩 (2024, Apr). Modernity, Technology, and Copying. 2024暨大外文學術與實務研討會。顱外之腦:人工智慧在文學、語言以及翻譯等領域之運用及其研究.
本人為第一作者、通訊作者。
黃瓊瑩 (2023, Nov). Michael Field’s Ekphrastic Poetry. 國立政治大學2023文山研討會, 國立政治大學. 本人為第一作者、通訊作者.
黃瓊瑩 (2021, Oct). Music and Sounds in Nineteenth-Century Aesthetic Literature. International Conference
on English Studies: Literature and Culture, Language and Teaching, Department of English, National Dong
Hwa University.(2021年國立東華大學英美語文學系國際研討會:文學與文化,語言與教學). MOST 110-2410-H-155-038. 本人為第一作者、通訊作者.
黃瓊瑩 (2020, Nov). The ‘Second Self’ in Dreams: D. G. Rossetti’s Reflections on Keats’s Endymion.
第28屆中華民國英美文學年會「夢境 Dreams」, 國立政治大學英國語文學系. 本人為第一作者、通訊作者.
黃瓊瑩 (2019, Nov). Teaching English for Fashion in the Context of Glocalization. 2019龍華科大英語教學研討會,會議主題:
Learner-centred Language Teaching and Learning, 龍華科技大學. 教育部: 108學年度教學實踐研究計畫(計畫編號: PGE1080239) .
本人為第一作者、通訊作者.
黃瓊瑩 (2019, Nov). Restlessly "Die into Life": The Afterlife of Keats’s Lamia. 第27屆中華民國英美文學年會「躁動
Restlessness」, 國立中正大學外國語文學系. 本人為第一作者、通訊作者.
黃瓊瑩 (2018, Oct). The Significance of the Turn (or Volta) in Dante Gabriel Rossetti’s Sonnets for
Pictures. 第26屆中華民國英美文學年會「轉向Redirection」, 國立台東大學英美語文學系. 本人為第一作者、通訊作者.
黃瓊瑩 (2015, Oct). Michael Field as an Aesthetic Poet . 第23屆中華民國英美文學年會「秘密 Secrets」, 國立成功大學外國語文學系.
本人為第一作者、通訊作者.
黃瓊瑩 (2014, Nov). Poetry, Painting, and Emotions: Synaesthetics in Swinburne’s "Before the Mirror" .
第22屆中華民國英美文學年會「文學與情感 Literature and Emotions」 , 國立政治大學英國語文學系. 本人為第一作者、通訊作者.
Huang, Chiung-Ying (2012, Jun). Watching and Being Watched: The Confrontation between Subjectification
and Objectification in Waterhouse’s Lamia. Watching and Being Watched Conference, Centre for Modern
Studies, University of York, UK. 本人為第一作者、通訊作者.
Huang, Chiung-Ying (2012, Mar). Illuminating Passions: Reading Female Portraits in D. G. Rossetti. The
Nineteenth-Century Memory: Approaches and Appropriations Conference , Leeds Centre for Victorian
Studies, Leeds Trinity University College, UK. 本人為第一作者、通訊作者.
Huang, Chiung-Ying (2010, Jun). Beyond Textual Space: Re-presenting the Femme Fatale in J. W.
Waterhouse’s Painting. Fractured Images/Broken Words Conference, University of Lancaster, UK.
本人為第一作者、通訊作者.
黃瓊瑩(2021年11月)。Music and Sounds in British Aesthetic
Literature。國立屏東大學2021外語教育與文化研討會。科技部:110-2410-H-155-038。本人為第一作者、通訊作者。
葉姿青、王瓊瑤、黃瓊瑩、康霞。(2020年05月)。導入社會活動於英文實作課程以提升英文學習動機之行動研究 (“An Action Research on Introducing Social
Activities into English Practice Courses to Improve English Learning
Motivation.”)。國立雲林科技大學「2020教學創新示範學校國際研討會」- 新世代的教學實踐典範 (2020 International Conference on Universities of
Innovation Teaching Demonstration),國立雲林科技大學。